I am fortunate to be a student of Dr. Sowmya Krishnapur in the Vyoma Labs online course on the Mahā-kāvya of Śrī. Vedanta Deśika, The Yādavābhyudaya. It tells the story of Bhagavān Ṣrī Kṛṣṇa in 24 Sargas comprising 2500+ślokas.
The way the great poet introduces the hero of the epic poem is this:
क्रीडातूलिकया स्वस्मिन् कृपारूषितया स्वयम् ।
एको विश्वमिदं चित्रं विभुः श्रीमानजीजनत् ॥१ - ०९॥
The supreme Lord, with His limitless powers of creation, sustenance and dissolution, dipped his sporting brush in the infinite colours on His palette of compassion, and painted this creation within His own Being, by Himself with no other medium or aid, by the resplendence of His Consort of Prosperity and Grace.
As the teacher was explaining this verse, my mind went to the first verse in Bhagavān Ramānuja's Śrī Bhāṣya :
अखिलभुवनजन्मस्थेमभङ्गादिलीले....That Lord who sports in the creation, sustenance and dissolution of this entire universe...
I recalled also the several times that Bhagavān proclaims in the Śrīmad Bhagavadgīta how He has created this world and its relation to Him :
Understand Me to be the creation and dissolution cause of all this creation and all beings born in various wombs. There is nothing beyond Me, as indeed, everything is within Me like many gems strung in a necklace .
For all, I am the Destiny, the Provider, The Lord, the Witness, the Abode, the Refuge, the Friend, the Creation, the Dissolution, the Habitation, and the Treasure as well as the Inexhaustible Seed.
I do believe that the spirit of the verses quoted from the saints aligns perfectly with the message of Bhagavān in the Śrīmad Bhagavadgīta. I am immensely lucky to be studying this under an incomparable teacher, Dr. Sowmya Krishnapur.
Ever since I discovered Soan Papdi in Indra Cafe, Mysore, as a teenager, I am simply fascinated by this multilayered sweet that melts in your mouth. It is indeed a paradigm for all creation - a multilayered multiverse in which Bhagavan lives and breathes in His eternal Leela or sport!
This is what Perplexity.AI says:
Soan Papdi is a delicate, flaky Indian sweet made from besan (gram flour), maida (plain flour), ghee, and sugar syrup, flavored with cardamom and garnished with nuts. It is best enjoyed fresh during festivals like Diwali.
I have just christened this heavenly delicacy in Sanskrit:
सुवर्णमधुपर्पटिका
Don't forget to eat Soan Papdi during this Deepaavali!
Sri. Atmaram had four sons. He was indeed so attached to them that they entirely fulled up his consciousness.
The eldest was Chitta. Chitta had a headstart compared to others as he remembered his grand-parents and even his great-grandmother. He was full of the family's old stories and lived with a deep sense of Khaandaan history. You wouldn't guess it when you saw the brothers together, but Chitta always had an influence on the decisions made by the other three.
The second one was a vain fellow. He was born when Sri. Atmaram was already well established in life. He named his second son Aham. Aham struck everyone as full of I-Me-Myself. The brothers had to find a way to live and play together "around" Aham's sense of self-importance.
The third was Buddhi. Buddhi was a clever fellow, able to study well, and played brain games like chess. He would always find a way to tackle any problem they faced, and honestly, the brothers always looked up to him for solutions, whenever they came up against any challenge.
The fourth was irrepressible. He had been named Manas. He was full of fun and was always ready to party. He made friends easily and broke up too in a jiffy. A most outgoing sort of fellow, Manas was the life and soul of any party. But whenever he was upset, or had to be reasoned with, only Buddhi could deal with him.
These four brothers - Chitta, Aham, Buddhi and Manas, were the inner courtyard as it were of Sri. Atmaram's world.
Everyone therefore said, "If you want to convince Sri. Atmaram about anything, go to his four sons. They will convince him."
Here is a Perplexity.AI summary of the article "The Prayer Song Enterprise: The Curious History Of The Suprabhatam" from Outlook India:
The Venkatesa Suprabhatam is described as one of India's most popular prayer songs with an intriguing history.
Its origins trace back to a short morning wake-up verse in the Balakanda of Valmiki’s Ramayana, where sage Vishwamitra wakes Lord Rama.
In the 15th century, poet Prativadi Bhayankar Anna from Andhra Pradesh composed additional stanzas, associating the Suprabhatam with the Tirumala Sri Venkateshwara Temple in Tirupati, where it became part of morning rituals.
For centuries, the song remained a relatively private recitation until it was recorded and broadcast. The earliest known recording was by PV Ananthasayanam Iyengar, intended for teaching MS Subbulakshmi.
The song's transformation into a national phenomenon occurred with MS Subbulakshmi’s iconic 1958 recording broadcast on All India Radio, turning it into one of India's most beloved and best-selling devotional tracks. (a total of around 35 crores recorded views on the several YouTube uploads).
The popularity of the Suprabhatam, alongside other devotional recordings, highlights a powerful enterprise of spiritual music in India, with MS Subbulakshmi recognised as a leading figure in this genre.
Today, the Suprabhatam remains a daily ritual in millions of households, underlining the blend of ancient tradition, temple heritage, radio/recording innovation, and musical brilliance that brought it to the masses.
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If one wants to learn the chanting, there is an excellent course online by Vyoma Labs.