Saturday, July 21, 2012

The Mysore Palace- Indo-sarasenic Excellence





I quote from a website devoted to Henry Irwin, who designed the Mysore Palace: Indo-saracenic architecture represents a synthesis of Muslim designs and Indian materials developed by British architects in India during the late nineteenth and early twentieth centuries. The hybrid combined diverse architectural elements of Hindu and Mughal with Gothic cusped arches, domes, spires, tracery, minarets and stained glass, in a wonderful, almost playful manner.
Robert Fellowes Chisholm(1840 - 1915), Henry Irwin and Gilbert Scott were among the leading practitioners of the time. Chisholm, one of the most gifted English architects working in India and a vehement supporter of Indian craftsmen, stated:
"the men who will actually leave the impress of their hands on the material. These men have an art language of their own, a language which you can recognise but cannot thoroughly understand. For this reason an architect practising in India should unhesitatingly select to practice in the native styles of art - indeed the natural art-expression of the men is the only art to be obtained in the country."
Chisholm was the Principal of the School of Industrial Art at Madras, and won the commision for designing the Presidency College and the University Senate House.

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